穿越两百余年的音乐对话：盛宗亮执棒深圳交响乐团，贝多芬《第七交响曲》与《岭南赋》世界首演同台呈现
2026年7月3日20:00，一场横跨东西、纵贯古今的音乐盛宴将在深圳音乐厅上演。著名作曲家、指挥家盛宗亮执棒深圳交响乐团，携手女高音郭森、男中音胡斯豪以及深圳交响乐团合唱团，以“盛宗亮与贝多芬的时空对话”为题，带领观众穿梭于西方古典主义的高峰与东方当代创作的深沉哲思之间。
上半场：贝多芬《第七交响曲》——酒神的狂欢与激情的迸发
上半场将上演贝多芬《A大调第七交响曲》（作品92）。这部创作于1811至1812年间的作品，诞生于拿破仑征战欧洲、民族解放运动风起云涌之时。彼时的贝多芬听力衰退日趋严重，却仍以炽热之情完成了这部杰作。1813年12月8日，他亲自指挥了作品在维也纳的首演——一场为哈瑙战役伤兵举办的慈善演出。据当时在场的作曲家施波尔记载，贝多芬在指挥台上激情四溢：“每当乐曲出现强奏记号，他便用力地猛然张开双臂……遇上全奏段落的起奏时，他甚至会纵身跃起。”
四个乐章各有其性格：第一乐章以漫长而富有张力的引子铺陈，继而迸发出舞蹈感十足的三拍子；第二乐章那脍炙人口的固定音型旋律，由中提琴与大提琴率先奏响，庄重而深沉；第三乐章急板近乎回旋曲结构，将情绪推向高潮；末乐章则以势不可挡的激昂二拍子，让旋律最终消融于纯粹的听觉体验之中。瓦格纳曾盛赞这部交响曲为“舞蹈的神化”。此次由盛宗亮执棒深圳交响乐团演绎这部经典，将为下半场的新作首演提供一个厚重的历史参照。
下半场：从大观园到岭南——盛宗亮的东方叙事
下半场集中呈现盛宗亮的声乐创作。首先上演的是盛宗亮与剧作家黄哲伦联手创作的歌剧《红楼梦》选段，包括“黛玉葬花”与“黛玉沉湖”，时长约13分钟。这部2016年由旧金山歌剧院委约首演的作品，将曹雪芹18世纪的史诗巨著凝练为两幕歌剧，聚焦八位核心人物，以“序幕”与“尾声”构筑框架——贯穿其中的僧人或许正是曹雪芹本人的化身。女高音郭森将倾情演绎林黛玉的凄美命运，从“花谢花飞飞满天”的葬花咏叹到“泪已流干、回太虚时辰已到”的沉湖绝唱，深情的咏叹令人动容。
值得关注的是盛宗亮受深圳交响乐团委约创作的交响合唱作品《岭南赋》第一乐章，也将在本场音乐会迎来世界首演。《岭南赋》是一部四乐章交响合唱作品，此次首演的第一乐章以苏轼贬谪岭南期间的三首诗为歌词——《宿建封寺晓登尽善亭望韶石三首·其三》《惠州一绝·食荔枝》《三月二十九日二首·其二》——串联起诗人从初至岭南时对山川神性的敬畏与遥想，到融入本地生活后对荔枝风味的由衷喜爱，再到安居宁静中对自然与自我的深沉凝望。整部作品将中国传统美学与西方交响语法融于一体，男中音胡斯豪与深圳交响乐团合唱团担纲声乐部分，在盛宗亮的亲自执棒下呈现这部新作，以交响乐这一国际通行的艺术语汇，向岭南人文精神致敬。
对话的缔造者
本场音乐会由盛宗亮同时担任指挥与作曲，他1955年生于上海，曾获麦克阿瑟“天才”奖，现任密歇根大学伦纳德·伯恩斯坦杰出大学教授，其创作与指挥生涯中曾与伯恩斯坦、马友友等国际知名音乐家广泛合作，作品曾上演于白宫、2008年北京奥运会及全球多个著名音乐机构。2016年他作曲并参与剧本创作的歌剧《红楼梦》由旧金山歌剧院首演，票房全部售罄，去年六月该剧院再度复排，在委约创作中并不多见。此次受深圳交响乐团委约创作《岭南赋》，他将在本场亲自执棒完成世界首演。
女高音郭森现任上海音乐学院教授、上音歌剧院副院长，曾长期签约苏黎世歌剧院，在欧洲数十部歌剧中担任主角，归国后与国内一线乐团保持广泛合作。在本场音乐会中，她将演绎歌剧《红楼梦》中林黛玉的“葬花”与“沉湖”两段咏叹调。男中音胡斯豪是第十二届中国音乐金钟奖（美声）金奖获得者，国家大剧院、上音歌剧院签约独唱演员，活跃于国内外歌剧舞台，将在《岭南赋》世界首演中担纲苏东坡诗境的声乐呈现。深圳交响乐团合唱团也将参与下半场两部声乐作品的合唱部分。
这不仅是贝多芬与盛宗亮的对话，更是西方古典传统与东方文化精神在音乐中的交融。当贝多芬第七交响曲那充满舞蹈韵律的激昂之声，遇见《红楼梦》中黛玉葬花的幽婉咏叹，再与《岭南赋》里苏东坡笔下的岭南诗意相呼应，深圳这座年轻而富有创造力的城市，将见证一场关于人类共通情感与艺术理想的崭新乐章，这既是对经典的致敬，也是对当代创作的勇敢拥抱——让传统在回望中焕发新生，也让创新在历史深处找到回响。
盛宗亮与贝多芬的时空对话
BRIGHT SHENG & BEETHOVEN ACROSS TIME
作曲/指挥：盛宗亮
Bright SHENG, composer/conductor
女高音：郭森
Sen GUO, soprano
男中音：胡斯豪
Sihao HU, baritone
深圳交响乐团合唱团
Shenzhen Symphony Orchestra Chorus
路德维希·凡·贝多芬 A大调第七交响曲，作品92 ca. 36’
LUDWIG VAN BEETHOVEN Symphony No. 7 in A major, Op. 92
I. 稍慢的引子-活泼地Poco sostenuto- Vivace
II. 小快板Allegretto
III. 急板Presto
IV. 有活力的快板Allegro con brio
-- 中场休息 Intermission --
盛宗亮/黄哲伦 歌剧《红楼梦》选段 ca. 13’
BRIGHT SHENG/DAVID HENRY HWANG Selections from opera The Dream of the Red Chamber
1.黛玉葬花 Petals Burial
2.黛玉沉湖 Dai Yu’s Drowning
女高音：郭森 Sen GUO, soprano
深圳交响乐团合唱团 Shenzhen Symphony Orchestra Chorus
盛宗亮/苏东坡 《岭南赋》交响曲，第一乐章 ca.15’
（世界首演）
BRIGHT SHENG/SU DONG PO Song of Lingnan Symphony, 1st Movement
(world premiere)
男中音：胡斯豪 Sihao HU, baritone
深圳交响乐团合唱团 Shenzhen Symphony Orchestra Chorus
作曲/指挥：盛宗亮
Bright SHENG, composer/conductor
曾获麦卡瑟“天才”大奖的盛宗亮于1955年12月6日出生于上海，1982年移居美国纽约。现任密歇根大学伦纳德伯恩斯坦杰出大学教授及香港科技大学包玉刚杰出客席教授。他2022-2024年间受聘于上海纽约大学任杰出驻校艺术家。
盛宗亮曾与许多杰出的音乐家合作，其中包括伯恩斯坦、马佐、艾勋巴哈、迪图瓦、MTT、斯拉金、斯瓦兹、罗伯森、津曼、贾维、史巴诺、沃夫、马友友、舍尔金、艾克斯、林昭亮、卜朗夫门、格蓝妮等。
他广受委约，几乎在北美、欧洲及亚洲每个著名的音乐机构，他的作品都常被上演，其中包括美国白宫、2008年北京国际奥运会、纽约爱乐乐团、波士顿交响乐团、克里福兰管弦乐团、芝加哥交响乐团、费城交响乐团、皇家音乐厅管弦乐团、巴黎乐团、英国伦敦BBC交响乐团、汉堡广播交响乐团、丹麦国家交响乐团、旧金山歌剧院、芝加哥抒情大剧院、桑塔费歌剧院、纽约市歌剧院、纽约市芭蕾舞剧院及旧金山芭蕾舞剧院等。
2016年，由他作曲并联手作词的歌剧《红楼梦》，由旧金山歌剧院委约在美国首演，戏票全部售空。2017年3月在香港艺术节上演，又是一票难求。同年9月，盛宗亮亲自指挥该剧在北京、长沙、武汉三地巡演。去年六月，旧金山歌剧院又将《红楼梦》歌剧重演，此举在该歌剧院的委约史上是绝无仅有的。
盛宗亮的全部作品均由美国G Schirmer公司专权出版。与之合作录制过专集唱片公司有：Naxos、Sony Classical、Talarc、Delos、Koch International、New World labels及Grammofon AB BIS等。他有14张专辑CD。
深受东亚及中亚民间和古典音乐传统的影响，他的音乐既戏剧化又抒情。自2000年起，他深入研究丝路文化的各个方面。他曾担任由马友友发起的“丝绸之路”乐团的艺术顾问。
作为指挥家及钢琴家，他曾与众多音乐团体合作，其中重要的包括美国旧金山交响乐团、底特律交响乐团、西雅图交响乐团、纽约室内交响乐团、葛兰碧交响乐团、俄罗斯圣彼得堡爱乐乐团、德国多尔特蒙爱乐乐团、中国交响乐团，上海交响乐团，上海爱乐乐团等，并常在卡内基音乐大厅、林肯中心、肯尼迪艺术中心等地演出。
自2011年起，盛宗亮在香港创建了每年一度的作曲演奏大师班——“创作间的亲昵”：盛宗亮与国际作曲家和演奏家相聚在香港，并任其艺术总监。其影响受到世界各国的关注，受到《美国华尔街日报》《英国金融时报》《香港文汇报》《信报》等的赞誉。“创作间的亲昵”的音乐会由香港RTHK合作播出，其演出、讨论实况并由Naxos收入其音乐图书馆。
Bright Sheng, an innovative composer, conductor and pianist, merges diverse musical traditions in works that transcend conventional aesthetic boundaries. He is an important leader in exploring and bridging musical esthetics. Respected as one of the foremost composers of our time whose stage, orchestral, chamber and vocal works are regularly performed throughout North America, Europe and Asia, Sheng is noted for the lyrical and melodic limpidity in his works, a Shostakovich sense of breadth in musical structure and phrasing, a Bartokian rhythmic propulsion, and dramatic gestures. Many of his works has strong Chinese/Asian influences, a result of his diligent study of Asian musical cultures over four decades.
Highlights on Sheng’s music in recent seasons are: September 2016, The San Francisco Opera premiered his much- anticipated new opera Dream of the Red Chamber, a 150’ opera in two acts, with overwhelming public and critical acclaim. Within a week of the premiere, the tickets were sold out for the full, month-long run; and a two-minute online clip of the opera by China Daily received over four million hits worldwide. The opera, with Sheng as both the composer and co-librettist together with a dream team of artists—David Henry Hwang as co-librettist, Stan Lai as stage director, and Tim Yip as art designer. During the same month, the San Francisco Symphony, let by Michael Tilson Thomas, premiered his Dream of the Red Chamber Overture, written for the symphony’s Asian tour of China, Japan and Korea. In March 2017, Dream of the Red Chamber was the closing highlight for the Hong Kong Arts Festival who co-produced the opera. Again, the entire run was sold-out six months before the first performance. In May of the same year, his Postcards was given the American Composers Orchestra premiere. June, 2017 saw the world premiere of his 2016 revision of Concerto for Orchestra: Zodiac Tales, by the National Symphony in Washington DC, on the farewell concert for Christoph Eschenbach as the Music Director. In September 8-23, Sheng conducted the SFO production of Dream of the Red Chamber in a three-city tour in Beijing, Changsha, and Wuhan, again, with sold-out performances. The same opera was revived by the San Francisco Opera June-July of 2022, a first in the company’s commissioning history. In January 2023, his viola concerto Of Time and Love was given a world premiere by violist Roberto Diaz and the Curtis Symphony Orchestra, co-commissioned by Curtis Institute and the Suzhou Symphony.
Sheng’s music has been widely commissioned and performed by many of the world’s most prestigious institutions, in North America including the San Francisco Opera, the Lyric Opera of Chicago, Houston Grand Opera, Santa Fe Opera, New York City Opera, New York City Ballet, San Francisco Ballet, the New York Philharmonic, Boston Symphony, Chicago Symphony, the Cleveland Orchestra, the Philadelphia Orchestra, San Francisco Symphony, Los Angeles Philharmonic, Minnesota Orchestra, St. Louis Symphony Orchestra, National Symphony, Detroit Symphony, Houston Symphony, Atlanta Symphony, Dallas Symphony, Seattle Symphony, Baltimore Symphony, San Diego Symphony, Toronto Symphony, Vancouver Symphony; in Europe including the Orchestra de Paris, Royal Concertgebouw, Orchestra Sinfonica dell'Accademia Nazionale di Santa Cecilia, BBC Symphony of London, London Sinfonietta, Royal Liverpool Philharmonic, BBC Symphony of Wales, G.B., Hamburg Radio Symphony (NDR), Frankfurt Radio Symphony, Dusseldorf Symphony, Duisburg Philharmonic, Dortmund Philharmonic, Branderburg Stage Opera Orchestra (Cottbus), St. Petersburg Philharmonic, National Symphony of Russia, Warsaw Symphony, Danish National Radio Symphony, Copenhagen Philharmonic, Bern Symphony Orchestra, Finnish Radio Symphony, Turku Symphony Orchestra, Luxembourg Philharmonic, National Symphony of Spain, Orqesta Sinfonica de Bilbao, Gulbenkian Orchestra of Portugal, Slovenian Radio & TV Symphony, Orchestra of National Opera of Greece, Munich Chamber Orchestra, Paris Chamber Orchestra; and in Asia including New Zealand Symphony, Sidney Symphony Orchestra, Alliance of Asian Pacific Region Orchestra, Tokyo Philharmonic, Tokyo Metropolitan Symphony, Singapore Symphony, Malaysian Philharmonic, Seoul Philharmonic, Hong Kong Philharmonic, Shanghai Symphony, China National Symphony, Shanghai Philharmonic, National Symphony of Taiwan, Macao Symphony, Macao Chinese, China National Orchestra of Traditional Instruments, Thailand Philharmonic, Hong Kong Chinese Orchestra, Taipei City Chinese, and new formed symphonies in Hangzhou, Suzhou, Guiyang, among others.
Sheng has worked with many of the world’s most distinguished musicians including Leonard Bernstein, Christoph Eschenbach, Kurt Masur, Michael Tilson Thomas, Leonard Slatkin, Charles Dutoit, Jaap von Zweden, David Zinman, Neeme Järvi, David Robertson, Hugh Wolff, Robert Spano, Marin Alsop, Bramwell Tovey, Gerald Schwarz, Eiji Oue, Jahja Ling, John Fiore, Jeffery Kahane, Shui Lan, Thomas Dasgaard, En Shao, Samuel Wong, Sakari Oramo, Miguel Harth-Bedoya, Muhai Tang, Maxim Valdes, Arthur Fagen, Carl St. Clair, George Manahan, Richard Buckley, Kazuyoshi Akiyama, Xian Zhang, Rossen Milanov, Yo-Yo Ma, Emanuel Ax, Peter Serkin, Yefim Brofman, Gil Shaham, Lynn Harrell, Alisa Weilerstein, Richard Stoltzman, Cho-Liang Lin, Roberto Diaz, Edgar Meyer, Evelyn Glennie, Colin Currie, David Shifrin, Jane Eaglen, Elisabeth Futral, Joseph Kaiser, among others.
As a guest conductor, he has appeared with some of the most important orchestras, such as the San Francisco Symphony, Detroit Symphony, Seattle Symphony, New York Chamber Symphony, St. Petersburg Philharmonic, Dortmund Philharmonic, Hong Kong Philharmonic Orchestra, Hong Kong Chinese Orchestra, China National Symphony, and Shanghai Symphony.
As a scholar, his has published articles exploring themes of Chinese and Asian musical traditions within global context. Articles have been published in Asian Art & Culture of the Smithsonian Institution, Perspectives of New Music, and People’s Music of China; and most recently an article on the creation of the opera Dream of the Red Chamber, by Cao Xueqin Study, one of the most prestigious Redology journals in China. Sheng also undertook the only Chinese translation of Brahms’ Ein Deutsches Requiem from German.
To further his belief that music is a living, breathing art form that should never be set in stone, in 2011, he founded and served as the Artistic Director of the Intimacy of Creativity, an annual two-week music festival with a new approach to creativity, the centerpiece of the creative arts initiatives by The Hong Kong University of Science and Technology. To celebrate its fifth anniversary in 2016, the festival collaborated with the Hong Kong Philharmonic and Hong Kong Arts Festival, including a Five-Year Retrospective concert and a two-disc release on the Naxos Records label, including the premiere recording of Verklarte Nacht conducted by Sheng.
Sheng is the Leonard Bernstein Distinguished University Professor of Music at the University of Michigan; and Helmut and Anna Pao Sohmen Professor-at-Large at Hong Kong University of Science and Technology. Currently he serves as the Distinguished Artist-in-Residence for New York University Shanghai, curating a 10-day celebration for its 10th anniversary in the city of Shanghai.
女高音：郭森
Sen GUO, soprano
旅欧女高音歌唱家，上音歌剧院副院长、上海音乐学院教授、博士研究生导师、中国音乐学院特聘教授。本科毕业于上海音乐学院，师从刘若娥教授；随后跟随著名花腔女高音歌唱家、教育家周小燕教授进行了研究生阶段的学习；
2001至2002 她在苏黎世歌剧院歌剧中心学习并工作一年，曾经在歌剧中心的歌剧制作《爱的甘醇》中扮演Adina，在《美卡的朝圣者》中扮演 Dardane；
2002年，她在德国德雷斯顿歌剧院的莫扎特歌剧《魔笛》中成功饰演了夜后；真正开始了她在欧洲歌剧舞台的旅程。在这之后她一度成为欧洲各大歌剧院争相邀请的夜后，如德国的德雷斯顿歌剧院、柏林国家歌剧院、德国汉堡歌剧院、维也纳国家歌剧院、德国威斯巴登歌剧院、瑞士圣加仑歌剧院、拉脱维亚国家歌剧院、萨尔斯堡音乐节、上海大剧院、北京国家大剧院等都曾经邀请她参演剧目及音乐会；
从2002年开始至今，郭森签约于苏黎世歌剧院，成为该剧院签约最长的华人女高音独唱演员；并且陆续在《霍夫曼的故事》（饰演Oympia）、《假面舞会》（饰演奥斯卡）、《鲁齐奥与蕾切塔》（饰演Giulio）、《阿拉贝拉》（饰演Fiake Milli）、《丝绸阶梯》（饰演Giulia）、《帕西法尔》、《阿里阿德涅在纳克索斯》（饰演Zerbinetta）、《弄臣》（饰演Gilda）、《法斯塔夫》（饰演Nanetta）、《摩西在埃及》（饰演Amaltea）、《少年魔幻》（饰演火和公主两个角色）等几十部歌剧中担当主角，在十几年的歌剧生涯中积累了丰富的歌剧演唱和表演经验；
2007年，她应邀回国，在上海大剧院音乐会版《弄臣》中，成功地扮演了Gilda；
2008到2010年两年间，一边活跃在舞台上的她不断地追求进步，在著名男低音歌唱家László Polgár的指导下学习歌剧及艺术歌曲演唱，获得苏黎世音乐学院硕士文凭；
2012年应萨尔斯堡音乐节邀请，为音乐节开场音乐会演唱了《波西米亚人》中穆赛塔的经典唱段；
2015年，她在苏黎世音乐厅 Tonhalle 成功举行了德法艺术歌曲专场音乐会，被多家欧洲权威音乐评论称为有着银铃般音色的抒情花腔女高音歌唱家；
2017年，她与意大利著名女中音歌唱家塞茜莉娅·巴托莉携手，参加了罗西尼歌剧《灰姑娘》欧洲巡回演出；
2018年，郭森与朱慧玲、沈洋、王亢、谭维维、巴图巴根等知名声乐艺术家共同参加于德国德莱斯顿举行的、著名作曲家谭盾的交响乐原创新作《慈悲颂》世界首演。继而在洛杉矶与著名指挥家Gustavo Dudamel（杜达梅尔）合作了该作品。美妙的歌声被北美媒体如此评价：“作为抒情花腔女高音，她的声音纯净，表现力丰富，不仅有着银铃般的音色，也拥有Puccini女高温暖的音色和戏剧线条”；
女高音歌唱家郭森也曾先后演唱著名作曲家叶小纲《大地之歌》《喜马拉雅之光》《少陵草堂》等大型原创作品。
她曾经在意大利佛罗伦萨举办的大师班指导来自不同国家的年轻歌手；在中国音乐学院、上海音乐学院、天津音乐学院、浙江音乐学院等地举办大师班；兼任山西大学音乐学院声乐系客座教授，山西中北大学音乐系客座教授；
和她合作过的著名中外指挥、歌唱家有：余隆，李心草，张国勇，谭盾， Nikolaus Harnoncourt（尼古劳斯·哈农库特），Zubin Mehta （祖宾·梅塔），Adam Fisher（亚当·费舍尔）， Antonio Pappano（安东尼奥·帕帕诺）， Franz Welser-Möst（弗朗兹·威尔瑟-莫斯特）， Philippe Jordan（菲利普·乔丹）， Nello Santi（内洛·桑蒂）， Gustavo Dudamel（古斯塔夫·杜达梅尔），Christoph von Dohnányi（克利斯托夫·冯·多纳伊）， Michel Plasson（米歇尔·普拉松）， Jonas Kaufmann（乔纳斯·考夫曼）， Cecilia Bartoli（塞茜莉娅·巴托莉），Leo Nucci（里奥·努齐）， Renée Fleming（芮妮·弗莱明）， Thomas Hampson（托马斯·汉普森），Piotr Beczala（皮奥特·贝舍瓦）等等。
自2020年归国以来，郭森先后与上海交响乐团、广州交响乐团、深圳交响乐团、中国爱乐乐团、西安交响乐团等乐团乐季合作，其音乐会演出足迹遍及国家大剧院、广州大剧院、上海东方艺术中心、深圳音乐厅、长沙音乐厅、琴台音乐厅、天津大剧院等国内一线场馆。
郭森也先后登上2022东方卫视春晚、2021Bilibili跨年晚会与杭州爱乐乐团合作“夜后也疯狂”节目，跨界突破的风格及演绎吸引了近3亿观众，为古典音乐破圈吸引大批观众。
Chinese soprano Sen Guo was born in Shanxi, China. She studied at the Conservatory of Music in Shanghai, and after completing her bachelor’s degree under Professor Ruo-e Liu, she pursued a master’s degree with renowned soprano Professor Zhou Xiaoyan at the Opera Center in Shanghai from 2008 to 2010. She later earned an advanced master’s degree under Professor László Polgár at the Zurich University of the Arts.
In 2001/2002, she was a member of the International Opera Studio in Zurich, where she performed the role of Dardané in The Pilgrim of Mecca and Adina in L'elisir d'amore.
Her international career began with her debut as the Queen of the Night at the Semperoper Dresden. Following this premiere, she appeared at Berlin’s Staatsoper Unter den Linden, the Deutsche Oper Berlin, the Hamburg Staatsoper, the Theater St. Gallen, the Theater an der Wien, and the Latvian National Opera.
Since the 2002/2003 season, Sen Guo has been a permanent soloist ensemble member of the Zurich Opera House, where her roles have included the Queen of the Night in The Magic Flute, Oscar in Un ballo in maschera, Frasquita in Carmen, the Flower Maiden in Parsifal, Cecilio in Johann Christian Bach’s Lucio Silla, Fiakermilli in Arabella, Zerbinetta in Ariadne auf Naxos, Amaltea in Moses in Egitto, Giulia in La scala di seta, Gilda in Rigoletto, Musetta in La Bohème, and Nannetta in Falstaff.
In 2007, she performed as Gilda in Rigoletto at the Shanghai Grand Theatre. In July 2012, she was invited to sing Mozart’s Exsultate, Jubilate at the Salzburg Festival’s season-opening concert. In October 2012, she made a successful debut as Musetta in La Bohème at the Shanghai International Festival.
Sen Guo is also highly acclaimed for her recitals and chamber music performances, as well as for her interpretations of oratorio and concert repertoire, which include works such as Schumann’s Requiem, Mozart’s Requiem, Fauré’s Requiem, and Rossini’s Stabat Mater.
She has collaborated with conductors including Zubin Mehta, Nello Santi, Christoph von Dohnányi, Franz Welser-Möst, Ádám Fischer, Muhai Tang, and Fabio Luisi. In the summer of 2013, she performed a Haydn concert with Nikolaus Harnoncourt at the Salzburg Festival.
男中音：胡斯豪
Sihao HU, baritone
胡斯豪，男中音，第十二届中国音乐金钟奖（美声）金奖获得者。美国旧金山歌剧院梅罗拉计划青年艺术家、美国芝加哥抒情歌剧院青年艺术家。国家大剧院、上音歌剧院、德国基尔歌剧院签约独唱演员。上海音乐学院博士，先后师从著名歌唱家周正教授、廖昌永教授。曾获得第六届全国高等艺术歌曲比赛二等奖、第三届德国Gut Immling国际声乐比赛第二名、第十四届美国古典声乐家国际声乐比赛第一名、第十一届中国金钟奖决赛入围奖、2019意大利博洛尼亚国际声乐比赛第二名、第三届中国艺术歌曲国际声乐比赛二等奖、首届上音歌剧院鼓浪屿国际歌剧大赛第一名等奖项。
胡斯豪活跃于国内外歌剧舞台，在多部歌剧中担任主要角色，包括《费加罗的婚礼》中的阿玛维瓦伯爵、《女人心》中的古列莫、《唐˙乔万尼》中的唐˙乔万尼、《图兰朵》中的平、《丑角》中的西尔维奥、《塞维利亚的理发师》中的费加罗、《错误的背叛》中的巴曼、《特洛伊人》中的柯罗埃布斯、《茶花女》中的亚芒、《卡门》中的艾斯卡米洛、《灰姑娘》中的潘多夫、《艺术家的生涯》中的马切洛等等。饰演上音原创歌剧《汤显祖》中汤显祖一角，在欧洲澳洲巡演，获得高度赞誉。2020年11月受邀主演扶贫攻坚题材的民族歌剧《听见索玛》，饰演男一号伍达，该剧在大凉山国际戏剧节首演。2022年9月主演国家艺术基金资助项目，上海与甘孜州重点打造的红色经典歌剧《康定情歌》，饰演男一号尚镛。2023年主演《茶花女》和《康定情歌》参加中国第五届歌剧节，获优秀剧目奖。2023年11月受邀出演国家大剧院原创歌剧《映山红》中吴修竹一角。。
胡斯豪也多次受邀担任国内外音乐会独唱，包括“上海之春”音乐节、深圳大剧院艺术节、深圳新年音乐会、意大利阿雷佐夏季歌剧节、澳门新年音乐会、上音新年音乐会、德国汉堡艺术歌曲音乐会、音乐金钟奖“金钟之星”音乐会等。
Sihao Hu, baritone, winner of the 12th China Golden Bell Award, contracted soloist at the Merola program of San Francisco Opera、Ryan Opera Center of Lyric Opera of Chicago、National Centre of Performing Arts、Shangyin Opera House、Kiel Theater in Germany, and studied under the famous singers Professor Changyong Liao and Professor Zheng Zhou. He graduated from the Shanghai Conservatory of Music with the first honors and currently received his PhD.At the same time, he furthered his studies at the the Royal Welsh College Of Music & Drama in British and he was taught by Dennis O'Neill and Donald Maxwell.
Sihao Hu has won the first prize in the "1st Shangyin Opera House & Gulangyu Opera Competition" and "14th American Classical Vocalist First International Vocal Competition", second prize in the "6th National Art Song Competition", "3rd German Gut Immling International Vocal Competition", and "the third Chinese art song International Singing Competition".
Sihao’s operatic experience spreads all over the world, which including "Il Barbiere di Siviglia", "Le nozze di Figaro", "Les troyens", "Così fan tutte", "Don Giovanni", "Pagliacci", " Turandot", "La Traviata".
深圳交响乐团
SHENZHEN SYMPHONY ORCHESTRA (SZSO)
深圳交响乐团（深交）成立于1982年，沐浴改革开放的春风，一路走来。“追求一流，服务大众，演出、创作双轮驱动”是深圳交响乐团艺术建设的坚定理念。
经过40多年的艰苦创业和不懈追求，成为国内外业界的一支劲旅，被公认为是中国最优秀职业交响乐团之一。乐团现任音乐总监是著名指挥家林大叶。
自1987年起，深交每年进行巡回演出，足迹遍布中国大江南北及港澳台地区，出访美、欧、亚、非四大洲，在美国、英国、加拿大、捷克、波兰、德国、法国、意大利、土耳其、新加坡、印尼、韩国、泰国、印度、罗马尼亚、南非、日本等国家成功演出，成为深圳一张闪亮的“文化名片”。
1994年以来，深交多次受邀参加国内、国际知名音乐节及音乐活动等，包括第四届中国艺术节、第三届中国国际钢琴比赛、首届世界佛教论坛开幕演出、中国国际合唱节、北京现代音乐节、北京国家大剧院艺术节，土耳其伊斯坦布尔音乐节、意大利米特费斯特音乐节、拉维罗瓦格纳音乐节、卡塞塔慈善音乐节、西西里岛贝利尼音乐节、法国第纳尔音乐节、罗马尼亚国际广播音乐节等，屡获成功。
深交非常重视民族交响乐的创作和推广，用交响乐讲好中国故事，委约创作的《潮起山海间》《新时代交响序曲》《英雄颂》《我的祖国》《人文颂》《神州和乐》《交响山歌·客家新韵》以及联合委约作品《东方旭日》《灯塔》《千里江山》等受到了业界专家、听众和媒体多方好评。
深交将不断攀登交响乐艺术高峰，弘扬华夏文明，传播时代先进文化，为深圳以及大湾区文化建设作应有贡献。
Founded in 1982 at the dawn of China's reform and opening-up, Shenzhen Symphony Orchestra (SZSO) has grown alongside the city that gave it life. Its artistic philosophy rests on two core commitments: the relentless pursuit of excellence, and a genuine dedication to serving the public - driven equally by performance and new creation.
Over more than four decades of hard work and artistic ambition, the SZSO has established itself as a formidable presence both at home and abroad, widely recognised as one of China’s finest professional orchestras. Its current Music Director is the acclaimed conductor LIN Daye.
Since 1987, the orchestra has toured annually across China including Hong Kong, Macao and Taiwan and has performed on four continents: in the United States, the United Kingdom, Canada, the Czech Republic, Poland, Germany, France, Italy, Turkey, Singapore, Indonesia, South Korea, Thailand, India, Romania, South Africa and Japan. It has become, in every sense, a shining cultural ambassador for the city of Shenzhen.
From 1994 onwards, the SZSO has been invited to numerous prestigious festivals and musical events worldwide, among them the Fourth China Art Festival, the Third China International Piano Competition, the opening ceremony of the First World Buddhist Forum, the China International Chorus Festival, the Beijing Modern Music Festival, the NCPA Arts Festival in Beijing, the Istanbul Music Festival in Turkey, the Mittefest and Ravello Wagner Festival in Italy, the Caserta Charity Music Festival, the Bellini Festival in Sicily, the Dinard Music Festival in France, and the International Radio Festival of Romania - each appearance met with resounding success.
SZSO places special emphasis on the creation and promotion of Chinese symphonic music, telling Chinese stories through the orchestral idiom. Its commissioned works including Tides Rise Amid Mountains and Seas, Symphonic Overture for a New Era, Ode to Heroes, My Motherland, Ode to Humanity, Harmony of the Divine Land, Symphonic Folk Songs: New Hakka Rhythms, and co-commissioned works such as ising Sun in the East, The Light of Mind and A Thousand Miles of Rivers and Mountains have earned widespread acclaim from critics, audiences and the media alike.
Looking ahead, SZSO continue to scale new heights in the symphonic art, celebrating the richness of Chinese civilisation and advancing the finest cultural voices of our time, making its due contribution to the cultural development of Shenzhen and the wider Greater Bay Area.
深圳交响乐团合唱团
Shenzhen Symphony Orchestra Chorus
深圳交响乐团合唱团成立于2007年6月，现任艺术总监林大叶，团长罗滨，常任指挥兼副团长罗申卡。合唱团团员均毕业于国内外艺术院校，接受了严格的声乐专业训练，同时在声乐专业岗位上有着丰富且扎实的艺术实践经历。
合唱团成立之后参加了一系列国内外重要演出活动，成功演出了大型交响合唱《神州和乐》《交响山歌·客家新韵》《人文颂》《时代的交响》《洛神赋》《陕北音画》《英雄诗篇》《我们就是河流》等中国合唱新作品及广东、深圳词曲作家的多部原创作品，以及音乐会版《阿依达》、音乐会版《图兰朵》、威尔第《歌剧合唱》等经典名作。其每年举行的新年专场音乐会，也已经成为深圳合唱界及广大合唱爱好者期待的品牌演出。
2020年以来，为适应深圳交响乐团重大演出需要，合唱团进一步朝着专业化的道路进行了提升，团员更加专业化、年轻化。经过数年的打磨，合唱团的表现力与感染力不断提升，演唱的作品风格也十分广泛，近年来又成功演出了深圳交响乐团音乐季音乐会《致敬贝多芬》、音乐季中国合唱作品专场音乐会、大型交响合唱：《大道华章》《长歌2020》《人文颂》《陕北音画》《希望》《梦想之城》，大型交响套曲：《我的祖国》《英雄颂》《苍茫大地》，交响组歌《珠江，珠江》，交响诗《逐梦》，交响幻想曲《春秋遗韵-蒹葭·击鼓》等，随着影响力的扩大，合唱团多次受邀赴香港、澳门、广州、哈尔滨、贵阳等地演出，与David Reiland、张国勇、林大叶、汤沐海、张洁敏、傅人长、陈永华等著名指挥家同台，演唱了贝多芬《第九交响曲（合唱）》《合唱幻想曲》、马勒《第二交响曲》、马勒《第三交响曲》《布兰诗歌》《培尔金特》《黄河大合唱》等诸多经典作品，其专业水准和职业程度均获得业内外人士的高度认可及好评。
Founded in June 2007, the Shenzhen Symphony Orchestra Chorus is today led by Artistic Director LIN Daye, with LUO Bin as Chorus Director and LUO Shenka serving as Principal Conductor and Deputy Chorus Director. Its members are graduates of distinguished music institutions at home and abroad, having undergone rigorous vocal training and built substantial stage experience in professional settings.
Since its inception, the Chorus has taken part in a wide array of major engagements, presenting both contemporary Chinese choral works and classic masterpieces. Its Chinese repertoire includes large-scale symphonic choral pieces such as Harmony of the Divine Land, Symphonic Mountain Ballads Hakka Folksongs, Ode to Humanity, Symphony of Generation, Northern Shaanxi Tone Poem, Ode to Goddess Luo, Hero Epic and We Are the River, alongside original compositions by poets and composers from Guangdong and Shenzhen. On the classical side, the Chorus has performed concert versions of Aida and Turandot, as well as Verdi’s Opera Choruses. Its annual New Year’s concert has become a much-anticipated fixture for both the city's choral scene and its broader audience.
From 2020 onward, in response to the growing demands of the Shenzhen Symphony Orchestra's major presentations, the Chorus underwent a further professional upgrade, becoming more specialised and younger in profile. After years of refinement, its expressive power and communicative depth have continued to grow, along with a remarkable stylistic range. In recent seasons, the Chorus has performed in the orchestra's subscription series concerts such as Homage to Beethoven and a programme devoted to Chinese choral works. It has also appeared in large-scale symphonic choral works including Harmony of the Divine Land, Symphonic Mountain Ballads Hakka Folksongs, Ode to Humanity, Symphony of Generation, Northern Shaanxi Tone Poem, Ode to Goddess Luo, Hero Epic, We Are the River, The Majestic Chapter of Righteousness, Song of the Long March 2020, Ode to Humanity, Northern Shaanxi Tone Poem, Hope; symphonic cycles such as My Motherland, Ode to Heroes, and The Vast Land; the symphonic suite Pearl River, Pearl River; the symphonic poem Chasing the Dream; and the symphonic fantasia The Legacy of Spring and Autumn period - Jianjia·Drumming.
As its reputation has grown, the Chorus has been invited to perform in Hong Kong, Macau, Guangzhou, Harbin, Guiyang and beyond, sharing the stage with eminent conductors such as David REILAND, ZHANG Guoyong, LIN Daye, TANG Muhai, ZHANG Jiemin, FU Renchang and CHAN Wing-wah. Together they have brought to life enduring masterpieces including Beethoven’s Choral Fantasy and Symphony No. 9, Mahler’s Symphonies No. 2 and No. 3, Carmina Burana, Peer Gynt, and the Yellow River Cantata. The Chorus’s professional calibre and artistic commitment have earned high praise from both critics and audiences alike.
文/凤凰网深圳 陶韵西 实习生 许诗雅
图/主办方供图
